All our textures can be used in any editing programme that supports the use of layers, Photoshop, Photoshop Elements, Gimp etc You can also use our textures on your iPad, Android and smart phones if you have the Photoshop Touch app installed. You can only use them in Lightroom if you use an add-on that allows Lightroom to use layers such as Perfect Layers.
Transferring to your tabletTo get this Taster set into your chosen graphic tablet we recommend the use of Itunes to facilitate the upload of the complete file of textures to your Ipad or Android. Or simply email them from your desktop to yourself and open the email on your portable device and download your textures to your photo files.You can also use the new Adobe Creative Cloud to wirelessly transfer this set.
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This pack contains a mellow toned mixture of painterly grunge textures with added innovative organic cracked textures to finish your painterly imagery!The Distressed Painterly Pack contains 45 mostly rectangular shaped textures with a minimum size of 6000 by 4000 pixels (some are as big as 9000 px on the longest edge) and are at industry printing standard 300ppi.
All our textures can be used in any editing programme that supports the use of layers, Photoshop, Photoshop Elements, Gimp etc You can also use our textures on your iPad, Android and smart phones if you have the Photoshop Touch app installed. You can only use them in Lightroom if you use an add-on that allows Lightroom to use layers such as Perfect Layers.To download, click on the add to cart button, a download link will be sent to you upon payment.
Textures in the pack are April Frost, Azurite, Beaux Arts, Belle Epoque, Blaue Reiter, Blue Lacewing, Byzantine, Cracked Facade, Cracked Pointillism, Cracked Taupe, Craquelure, Danse Macabre, Die Brucke, Diptych, Erebus Ice, Fauvist, Forest Patina, Frosted Scrumble, Frottage, Grisaille, Intaglio, Jet Trails, Lacewing, Marguerite, Millennium, Mimesis, Montmartre Crack, Moody Blue, Muddy Boots, Obsidian Cracks, Organza, Peach Lustre, Peinture, Pink Tempera, Quattrocento Cracks, Renaissance Brush, Riven Snow, Rottenstone Cracks, Sfumato, Surat Meadow, Tapa Cloth, Trunk Call, Verdaddio, Verglas and Vernis Craqueler.
Textures in the pack are: Allspice, Angelica, Anise, Blue Basil, Blueberry, Borage, Calendula Haze, Cardamom, Cartridge Text, Chervil, Chicory, Chocolait, Cinnamon, Cocoa Bean, Cyani Flower, Damson, Elderflower, Eton Mess, Forgetmenot, Goldilocks, Grape Bloom, Green Chai, Green Pepper, Greengage, Honeysuckle, Iced Pistachio, Juniper Berry, Laurel Leaf, Lavender Glace, Lilac, Magnum Bonum, Marzipan, Nigella, Nori, Oatmeal, Parsley, Passionflower, Pavlova Pink, Peachy, Peppermint, Pink Champagne, Rhubarb Crumble, Roquefort, Sage, Squid Ink, Sugar Plum, Thyme Flower, Tumeric, Verbena, Water Mint.
Both backgrounds and textures are used as part of the process of finishing a digital image towards the end of a workflow in Photoshop (or another design program). As such, they should be an important tool in the toolkit of every photographer or digital artist who uses Photoshop.
If you are interested in a thorough course on backgrounds and and textures, please check out my online class Photoshop: Backgrounds and Textures. Click here to view my course on LinkedIn Learning and here to view my course on Lynda.com. There is a free preview. The full course is behind the paywall, but note that a free trial subscription is available for one month.
Below are my before and after images of sunset at a nearby pier. I wanted a distressed feel to the photograph, to add more interest to the sky, but did not want to significantly affect the colors. I chose a combination of textures that preserved the orange and yellow colors of the sunset and created a distressed edge around the image.
I love a pretty thistle. Its textured flower and bright purple color can keep me captivated for an hour. In this before and after, I removed the white bud to prevent drawing focus away from the flower, I went with a more muted texture over the bright green, and I added a tin type border and reduced the opacity. All of these textures are from Flypaper Texture.
This new version will allow you to select a folder of your own textures and load them into the panel. Use the fly out menu to access this new feature. WARNING! If you target a folder containing very large images, or more than 20 images, then the loading process may take several minutes. I HIGHLY recommend that you use smaller textures when every possible.
Textures in the pack are: Allspice, Angelica, Anise, Blue Basil, Blueberry, Borage, Calendula Haze, Cardamom, Cartridge Text, Chervil, Chicory, Chocolait, Cinnamon, Cocoa Bean, Cyani Flower, Damson, Elderflower, Eton Mess, Forgetmenot, Goldilocks, Grape Bloom, Green Chai, Green Pepper, Greengage, Honey****le, Iced Pistachio, Juniper Berry, Laurel Leaf, Lavender Glace, Lilac, Magnum Bonum, Marzipan, Nigella, Nori, Oatmeal, Parsley, Passionflower, Pavlova Pink, Peachy, Peppermint, Pink Champagne, Rhubarb Crumble, Roquefort, Sage, Squid Ink, Sugar Plum, Thyme Flower, Tumeric, Verbena, Water Mint.
Here is a compilation of some free paper texture packs. Whether you want a paper texture for your web design or your print designs, this varied selection of free high-resolution textures will surely help you along the way. These high-quality backgrounds can be very well used to design a website template, business card, flyer, poster, collage, presentation, postcard, banner, etc. Go ahead and download them all!
Grab this free set of high resolution burnt paper textures to incinerate your designs, perfect for giving pages an antique appearance or creating an old treasure map. Each burnt paper is available as a high resolution JPEG or a PNG file with transparency. With a few simple steps you can overlay these textures onto your designs and create a realistic burnt edge effect
This is a pack of 14 high quality antique gold texture, glitter, and foil digital papers. They are scans of gold paint on different textured papers, with additional grunge textured overlays for that antique appearance as well as some shine enhancement in photoshop. Each paper measures 12 x 12 inches (30.5 x 30.5 cm) and has 300 dpi resolution.
A bundle of 12 extraordinary textures with excellent colours that you can be this in a variety of things. You can use as creating Wedding, Stationery, Logos, Blogs, Branding, Mock-ups, Overlays, 3D Maps, PowerPoint, Flyers, Posters, Print, Cards, Business Card, App, Wallpapers, etc.
These beautiful textures of cardboard paper are ideal as backgrounds for business cards, invitations, greeting cards, fashion projects, websites, packaging, crafts and so much more! They give a natural feel to your projects. 700 JPEG files with paper textures (size: 30003000 px, 300 dpi).
This pack includes 40 high resolution JPG textures (6000/4200 px). These textures can be used for wallpaper, postcards, posters, invitations, web design, web page background, surface textures,packaging and so on.
High-resolution paper and card textures, carefully converted into digital patterns for a quick and easy way to add realistic effects to your design work. 12 Seamless patterns including a variety of papers, cards and notebook textures 12 High-resolution A4 wallpapers 10 High-resolution bonus Antique and Marble textures Greyscale versions for easily creating your own colours schemes.
These 12 folded paper textures are the perfect tool to add fake folds to your designs to make it look more genuine. All of these have been carefully folded and/or crumpled by hand, then scanned in at 600 dpi and edited to retain as much detail as possible, while offering an optimum level of contrast.
I am a big fan of textures and there are two places I go when I am looking for just the right one and they are: Flypaper Textures and Shadowhouse Creations. Both offer excellent textures and it ultimately boils down to who has the texture I am looking for.
For this photo, I used Flypaper Textures. They have a wonderful blog highlighting their various textures and provide examples. They also include their recipe. I love their work and often visit their site for inspiration.
What does a child lose by seeing a farm only on a screen, minus all odors, all textures, all earthiness? It is hard to say. But those of us who had a farm -- a real farm -- in a corner of our childhood can say this: Nothing is less suited to abstraction than a farm -- and then, of course, we feel compelled to go on and savor once again exactly how it was.
Every month or two during my childhood, my family and I visited an uncle and aunt who farmed 160 acres in southern Wisconsin. I hadn't yet read Aesop's fable of ``The City Mouse and the Country Mouse,'' but even then I had the city mouse's reservations about rural life. The smells in the barn, the dust from the gravel driveway, the strip of flypaper in the back entryway -- all were alien to the urban sensibilities of a 10-year-old child. 2ff7e9595c
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